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Thornfield HouseSigma 18-50mm F2.8 DC DN Contemporary Lens for Canon RF
Our Price: £423.00
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The Sigma 18-50mm F2.8 DC DN Contemporary for Canon RF gives Canon's APS-C mirrorless cameras the bright, compact standard zoom they have long been missing. Canon's 1.6x crop makes it a 28.8-80mm equivalent, it holds F2.8 from one end to the other and it weighs 300g. On an EOS R50, R10, R7 or R100 it is small enough to stay on the camera every day.
The optical design has 13 elements in 10 groups, with one SLD and three aspherical elements, so images stay sharp and free of obvious colour fringing across the range. Super Multi-Layer Coating keeps contrast up when the sun is in the frame, and the supplied petal hood blocks stray light. Seven rounded aperture blades keep background highlights soft and round at F2.8.
Focus is driven by a quiet stepping motor and works with Canon's Dual Pixel AF, including eye and subject detection. Because focusing is internal, the front of the lens neither extends nor rotates, so a polariser stays where you set it. The camera can apply its own lens corrections to the files.
At 18mm the minimum focus distance is just 12.1cm, which gives a 1:2.8 magnification ratio. That is close enough for detail shots of food, flowers and small products. At the 50mm end it focuses to 30cm.
A Thermally Stable Composite barrel keeps the weight down and stays stable through changes in temperature, and the brass mount has a rubber gasket against dust and splashes. The lens measures 69.2 x 74.5mm and uses 55mm filters.
Canon's own RF-S kit zooms are small but slow, so this is the lens to choose if you want an F2.8 aperture at every focal length without a big jump in size. It is a good fit for travel, events and family photography. The R50, R10 and R100 have no in-body stabilisation and the lens has none either, so for handheld video those bodies rely on digital stabilisation, while the R7 has IBIS built in. If you need the most light possible, the Sigma 17-40mm F1.8 DC Art for Canon RF is over a stop brighter. If a wider starting point matters, the Tamron 16-50mm F2.8 for Canon RF begins at 16mm.
Also available for Sony E, Fujifilm X and L-Mount.
| Mount | Canon RF |
| Format | APS-C |
| Focal length | 18-50mm (28.8-80mm full frame equivalent) |
| Maximum aperture | F2.8 |
| Minimum aperture | F22 |
| Lens construction | 13 elements in 10 groups (1 SLD, 3 aspherical) |
| Angle of view | 73.4° to 30.0° |
| Aperture blades | 7 (rounded diaphragm) |
| Minimum focusing distance | 12.1cm (wide) to 30cm (tele) |
| Maximum magnification | 1:2.8 (wide) to 1:5 (tele) |
| Filter size | 55mm |
| Autofocus motor | Stepping motor |
| Optical stabilisation | No |
| Dimensions (diameter x length) | 69.2 x 74.5mm |
| Weight | 300g |
| Supplied accessories | Lens hood LH582-02, front cap LCF-55mm III, rear cap LCR II |
It will mount, but it is an APS-C (DC) lens, so a full-frame body such as the EOS R8 or R6 Mark II crops the image to APS-C size and you lose resolution. It is designed for the R50, R10, R7 and R100.
Canon APS-C sensors have a 1.6x crop, so it gives the same view as a 28.8-80mm lens on full frame.
No. On the EOS R7 the camera's in-body stabilisation works with it. On the R50, R10 and R100 there is no stabilisation for stills, though the F2.8 aperture lets you use faster shutter speeds, and the cameras offer digital stabilisation for video.
It is larger and heavier, but at F2.8 it gathers between one and a half and two and a half stops more light than the kit lens, which means cleaner indoor shots and much softer backgrounds. It also focuses closer for small subjects.
The Tamron goes wider, to a 25.6mm equivalent, and weighs 305g. The Sigma is shorter, slightly lighter and focuses much closer, 12.1cm against 15cm.
The 17-40mm is over a stop brighter, but at 535g and 115.9mm long it is a much bigger lens. Choose the 18-50mm if a light, compact setup matters more than the last bit of low-light performance.
55mm.
The LH582-02 petal hood, LCF-55 III front cap and LCR II rear cap.
| Sigma 18-50mm F2.8 DC DN Contemporary (Canon RF) | Tamron 16-50mm F2.8 A (Canon RF) | Sigma 17-40mm F1.8 DC Art (Canon RF) | |
|---|---|---|---|
| Mount | Canon RF | Canon RF | Canon RF |
| Focal length | 18-50mm | 16-50mm | 17-40mm |
| Maximum aperture | F2.8 (constant) | F2.8 (constant) | F1.8 (constant) |
| Closest focus | 12.1cm (18mm) / 30cm (50mm) | 0.15m (16mm) / 0.29m (50mm) | 28cm |
| Maximum magnification | 1:2.8 (18mm) / 1:5 (50mm) | 1:4.5 (16mm) / 1:4.8 (50mm) | 1:4.8 (40mm) |
| Filter size | 55mm | 55mm | 67mm |
| Autofocus motor | Stepping motor | VXD linear motor | HLA linear motor |
| Image stabilisation | None | None (no VC) | None |
| Weight | 300g | 305g | 535g |
| Dimensions (diameter x length) | 69.2 x 74.5mm | 69.2 x 77.6mm | 72.9 x 115.9mm |
Genuine UK stock, sold by people who actually use this gear -- not a general electronics marketplace.
Walk in and try before you buy at our Sheffield store, or order online with free UK mainland delivery on orders over £50.
Have equipment to trade? Part-exchange against a new camera or sell your gear for a bank transfer.
Every new item comes with the full UK manufacturer warranty, not a grey-import or parallel-import version.


